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The Venue Receiver is "destined to be the hottest thing for carts since the cup holder," according to Glen Trew.
Live Sound Magazine editor Kieth Clark describes his visit to Lectrosonics' facility in Rio Rancho, NM
... we transformed the production from a difficult day of over the shoulder mixing mayhem to a relaxed and meticulous recording session, while giving post production maximum flexibility and yielding the best sound possible.
Wireless Room Measurement (PDF-820KB)One of the biggest problems in measuring a large space is getting the measurement microphone connected back to the analyzer. (Syn-Aud-Con Newsletter, Vol. 32, No. 4)
Fixing it in the Mix-the Mix-Minus Design (PDF-1.6MB)A new look at solving the Potential Accoustical Gain (PAG) problems in permanent installations. (Coutesy of INS Asia, Desmond Teo, Editor.)
Academy-award winning film and production sound engineer Mark Ulano writes in Pro Audio Review about location sound and Lectrosonics 400/411A wireless microphone systems.
Dan Brockett's excellent foundation on Location Sound from "The Ken Stone Index" (Oct. 21, 2001). Look for Lectrosonics 200 Series equipment referenced throughout the material.
The benefits of and design considerations for secure wireless microphone systems. (Reprint from
April 21, 2003 issue of Sound and Communications magazine.)
Choosing the right wireless microphone system can be a confusing endeavor, especially when technical specifications seem to be based
on different reference scales. (Reprint from Pro Audio Review.)